
I'm not even excited. I would say I don't want to go, but the ugly truth is...I do. God, what level of hell is saving a spot for me? I'd show you my favorite Broadway secret for this week, but, like everything else about today, they sucked.

Lots to talk about today. First off: 9 to 5 goes down the tubes on September 6. Disappointing, but not altogether unexpected. I've heard the whole score, and the only song I really care for is One of the Boys. Somewhere, somebody is pointing a finger at Dolly Parton and saying, "I told you so." I would also like to take this time to send my very own "I told you so" to anyone who said it didn't matter than they didn't win any Tonys. Anyway. Sorry, ladies. With a score like yours you were doomed from day one. Well, no. I shouldn't say that. I gotta say, I never thought this one would crash and burn. If I had anybody pegged to go down in a blaze of glory, it was Next to Normal. Just goes to show ya, Blanche. Ya never know what's comin'.
e, or Change - the show that Wicked smothered, and the newest addition to my list of favorites. Look, children! A serious show! Oh, the humanity! Imagine. A serious show. Let's get this straight. There is a difference between "serious" and "depressing." Because I don't go for the fluff does not automatically make me a killjoy, and I don't appreciate that label, thanks. But back to Caroline. It's wonderful. Lot's Wife and I Hate the Bus are beautiful songs. And Tonya Pinkins was robbed by Idina Menzel. Caroline's about racism in the south. It's kinda hardcore Hairspray, but ten million times better. Do I really have to tell you that this one flopped? Unfortunately, it went the way of Grey Gardens, Ragtime, Dessa Rose, and that whole group. Maybe those shows should have their own genre: Lovely History-Based Musicals That Were Steamrolled by Tourists Who Are Afraid of Their Emotions. There's a line in I Hate the Bus that goes something like this: "And Iiiiiiiiiiii ain't waiting no mooooooore."
I know? Far be it from me to attempt to discern the fake creepy junk from the real creepy junk. But anyway, here you go. Sorry, friends, but I'm inclined to agree with the lad or lassie who made this one. I do think she's talented when she opts not to act with her hands, and I'm no longer of the opinion that her inherent cutesiness in an act, but...it...gets...a little...grating. Not an "oh crap I just licked a cheese grater" grating, more like an "ow I fell and scraped my knee" grating. You know. That kind of grating. Let's all say grating one more time. Grating. See? That was fun.
to me by a bunch of Brazilian kids and a group of French waiters, had a half-in-Spanish conversation with a little Mexican kid, got lost a lot, got groped by Tigger, bought an obnoxious floppy tourist hat, saw Tinkerbell fly for the very first time, randomly met a bunch of my cousins in the Magic Kingdom, and walked around in a Marge Simpson wig for a while. That last one prompted one of the tourists who gaped at me as I sashayed through the lobby to point and remark, "She's a wild one." I don't think I've ever received such a nice compliment in my entire life. You hear that, folks? I, [insert my name here], am a wild one. Come up and see me sometime. We'll watch The Golden Girls, eat mint ice cream, and drink blue Powerade. But really, there is something incredibly freeing about walking around in a Marge Simpson wig. I would definitely recommend trying it. Lots of people pointed and stared. My family felt the need to point out every single gawking tourist. I felt kinda like Joanne from Company. "Are they staring at me? Let 'em, those broads! What else do they have to look at?" 
Little Women. Saw it five times, and I still love it. It's the reason I'm a theatre fan, even though everything Sutton Foster has done since has been a a tremendous disappointment to me. It's hardly my place to say, but I wish she hadn't taken Princess Fiona. It would have saved me the trouble of sitting through Shrek.
And, of course, it's not a good week on Broadwaysecrets without the token outrageous, intrusive, creepy, possibly but pro
bably not true secret! I see it now. The "Kacie Sheik is a lesbian" secrets are gonna become more numerous than the "Alice Ripley is on crack" and "Kerry Ellis is overrated" ones combined. God, Broadwaysecrets is like a freaking snake pit. The queens and fangirls will rip your guts out.
Fail. Might as well pack it in and join the ranks of the chronically unfunny. Move over, Regis.
Ragtime's taking the Neil Simon. Previews start October 23. I couldn't be happier, and I'll be god damned if I miss this one. Also, I would just be pleased as punch if Leigh Ann Larkin played Evelyn Nesbit again. Evelyn's a character that I don't think gets enough love, even though there's quite a lot to her. She gets to sing The Crime of the Century and gets an Atlantic City solo. Plus, like most of characters, she actually existed. Here she is on the left. Isn't her hair fantastic? Some people think she's the most beautiful woman who ever lived, yet nobody really knows who she is. Evelyn was a young artist's model whose husband, the psychopath Harry K. Thaw, was tried and acquitted of killing her lover, architect Stanford White. Scintillating. Anyway, Leigh Ann Larkin, who played June to Laura's Benanti's wonderful Louise in the latest, most unfortunate revival of Gypsy, is a perfectly marvelous actress, but she's up for Petra in the A Little Night Music Revival. Let's get this straight. I am a Sondheim fan. A Little Night Music is a lovely show. I want Ragtime to win Best Revival. But getting back to the subject at hand - Last night I had a dream that Kristin Chenoweth played Evelyn Nesbit. It was a bad dream. It was a real bad dream. Before we get off the subject of Ragtime, let me say that my poor little heart will just be shattered if neither Emily Skinner nor Mary Testa gets Emma Goldman. (And I don't care what you think, The Night That Goldman Spoke at Union Square is one of the best songs in the show.)
Dear Andrew Kober: I'm sorry for thinking you were arrogant. Just ignore me. I'm like that to everyone. Carry on with your "fierceness."
ayin' nothin'. (Which is not to imply that I have any inside dope on the situation. Heh heh. "Inside dope." Okay, you know what? Forgive me for the fact that I'm ODing on the A:OC quotes. I cannot help my love for the Westons and their dysfunction.) In regard to this picture, I highly doubt it's true, but it makes no difference either way. I still think they're both wonderful, even though Allison Case sometimes acts like a two-year-old and Kacie Sheik has the most distracting hair I've ever seen in my life. Also, I think the "totally doing it" secrets that these people come up with, while wildly inappropriate and creepy, can sometimes be really damn entertaining. But moving on.
r a small moment. (Hey, it's a Friday night and I'm not feeling well, which is why I'm sitting here in the first place. I deserve it.) Okay, my vote for Hottest Guy on Broadway will always, always, always go to Will Swenson, but this picture makes me hate Matt Cavenaugh a little bit less. Really, not THAT much less. I'm sorry, but I cannot forgive him his blandness, or his affection for dramatic pauses, or that goddamn Kennedy accent. Come to think of it, the Jerry drawl was pretty bad, too. Watch it, man. Jerry Torre's still alive. Let's not be a caricature. Since there's an ocean of space here on the right that will look awkward if I don't fill
it up, why don't we all observe a picture of Gavin Creel? There. That's better. Hi, there, Mr. Creel. Hi there, puppy. The dog's name is Wally, but it would be creepy if I admitted I knew that. On some level, this picture makes me wish I were a gay man. (We're talking about the guy, not the dog, you perverts.)
s this: Allison Case doing charity work with little children. I don't think I've seen anything quite so proverbial in my entire life.